April 30, 2016 § Leave a comment
My favorite restaurant, without a doubt, is Momofuku Ko in the East Village, and lately, I’ve been lucky enough to visit multiple times. Everyone there is so warm and friendly (they remember your name and your favorite dishes by your second visit), the food that chef Sean Alex Gray and his hard-working team are putting forth is as creative as any I’ve ever had (and absolutely gorgeous on the plate, without being too fussy) and the interiors and details at the new location on Extra Place are as particular and unique as the food that’s coming out. All of the accolades and praise they’ve received since their relocation and revamp are well deserved (though the only downside is that it’s now harder to get those already super-coveted counter seats). Below are the dishes (note some are older and might no longer be on the ever-changing menu) that I’ve had recently, some in their final form and some in development. One cool thing about multiple visits is seeing how specific dishes are conceived, initially executed and then refined over and over again until they’ve reached their final iteration, which still sometimes undergo changes depending on ingredients and season. That being said, I’ve never had a dish, work in progress or otherwise, that’s disappointed. Below are some standout dishes…but because I’m lazy and it already took me forever to get this post up in the first place, all you get are minimal notes from what I remember:
Bites of potato waffle, pommes soufflees, lobster paloise and millefeuille. Super high end finger food. The lobster paloise, which I’ve had multiple times now, is my favorite of any of their amuse-bouches offered so far.
Madai – consomme, shiso and finger lime…a relatively newer dish that’s now one of my favorites for its pure flavors. Lately, they’ve been serving it with sea bass instead of madai, which is a bit firmer and stands up really well.
Raw scallop with tonburi (a Japanese herb known as “caviar of the fields”) and citron. Here, paired with Kaika “Tobindori Shizuku Daiginjo” from Togichi, Japan.
An old favorite and Ko staple: uni with chickpea and hozon. I love everything about this dish – the colors, the slightly different textures and the olive oil and sea salt that make everything pop.
Razor clams with apple and basil seeds, paired with two 2014 wines from Peter Lauer. Stunning.
Oh my god…this. Caviar with potatoes that would make Joel de Robuchon cry they’re so buttery and addictive and hidden fermented radish on the bottom to cut through all that richness, served with sourdough bread and cultured butter and Tarlant champagne. Just look at those velvety potatoes and the way they’re draped in the bowl. Ugh.
Monkfish with a sauce of its liver and a sauce of poblano. Love the heavily white presentation accented by the green (also I need to figure out where the dishware came from). I was never really interested in monkfish prior but damn if this didn’t change my mind. So tender and ingenious to serve it with its own liver. Now I try to see if anywhere else has a better version. So far…no.
Crack pasta. Actually, pyramidi with broccoli and aged cheddar with just a little black truffle shaved on top. Who knew broccoli pasta could be so exciting? If they figured out a way to freeze and package this, I’d eat nothing else, carbs be damned. Paired with Andre et Mireille Tissot Cremant du Jura “Indigene” NV rinsed with Tissot “Chateau-Chalon,” Vin Jaune, both from Jura, France.
Venison with kale and olive berry, paired with 2011 Chateau Moulin de Tricot from Margaux, Bordeaux.
Another Ko favorite: foie gras with lychee, pine nut brittle and riesling jelly. Don’t really have anything to say about this other than it’s always wonderful.
Ko’s version of a creamsicle – carrot cardamom and meringue, paired with a 2013 pear cider from Cidrerie de Vulcain from Switzerland.
Chocolate cake with mint and fernet branca, paired with Zucca and root beer (?). Not typically one for desserts but the above creamsicle and this were just sweet enough without being cloying. Also, any dessert with fernet is OK by me.
And on visits that followed, some new dishes included:
Happy Valley beef with accoutrements I can’t recall that was perfectly cooked and beautiful to look at. I think the green is some kind of parsley puree. Ko also started my obsession with MUD Australia ceramics that has by now cost me a pretty penny.
New amuse-bouches: fried chicken oysters with dried honey mustard (take that, Wendy’s!), potato waffles, Ko Cheez-its and a shot of kimchi granita to offset all that fried goodness. On a following visit, we ordered another 6 pieces because we are crazy and the people there are awesome.
Lobster “bouillabaisse” with new potatoes and aioli. Just look at those colors. That sauce is one of the most shellfish-y (in a good way) sauces I’ve ever had and each time, I use their new flatbread to mop it all up.
Duck pie and greens. Can’t imagine the technique and time that goes into making this dish come out as great as it did but it was gone within 30 seconds.
An early version of the chocolate mousse and olive oil ice cream dish that’s now on the counter menu. Again, slightly bitter and barely sweet, with a nice contrast from the bergamot sauce drizzled on top.
Happy Valley beef again with a fried potato churro. That’s right. Potato. Churro. Think on this visit we had way too much wine (including a 1997 Soldera Brunello di Montalcino…life was not bad that day) so when I was hungover the next morning, 50 more of those churros delivered to my bed would’ve been really nice.
So if those above photos don’t make you go straight to the Momofuku Ko website and try to make a reservation (by the way, they’re actually open for lunch now as well), then I don’t know what will…Just do it and I can guarantee you’ll have a meal of a lifetime.
March 16, 2015 § Leave a comment
About a month ago, yours truly got lucky enough to experience the tasting menu and beverage pairing at the newly relocated Momofuku Ko on Extra Place right off the Bowery in the East Village. It’s a much bigger place than the original location, and along with roomier counter space for the diners (Ko is pretty unique in that all seats are at the counter so you can see the cooks preparing the food and even interact with them), there are beautiful glass cases full of hanging meats and all other kinds of ingredients that catch your eye. The restaurant is probably also home to one of the largest works by the artist David Choe, whose gorgeous and frenetic handiwork is sprawled all over the walls.
Right from entering, everyone was super friendly and inviting (shoutout to Su Wong Ruiz who was especially great!), and my dining companion Chris and I even got to make small talk with David Chang himself for a little bit (FYI, he recommends the carbonated cocktails at Booker and Dax if your goal for the night is to get very drunk, very quickly). The menu changes pretty regularly based on the season, so if you get to go, you’ll probably have dishes and pairings totally different from what we did.
Honestly, at this point, I have a hard time remembering the components of each individual dish (many of which were served on beautifully crafted MUD Australia ceramics) but I will say that the major highlights were the madai (super clean and refreshing); the sunchoke (which was very meaty and unctuous despite being all vegetable); the gorgeous, gorgeous uni with chickpea and hozon (as soon as Momofuku starts selling bottles of this stuff, I will be hoarding it) covered in olive oil (when I tasted this dish, I almost cried it was so delicious); the kabocha agnolotti with smoked duck – katsuobushi-style – and parmesan (just loads and loads of umami and deliciousness paired with a pear cider from Switzerland that I need to get my hands on somehow); the famous frozen foie gras over pine nut brittle, riesling gelee and lychee and the venison with pommes puree and epoisses (literally a layer of warm epoisses covered in fancy mashed potatoes that I’m pretty sure were composed of at least half butter). Hell, every single dish was standout. Even looking at these photos again, I’m salivating and checking out their availability for the coming week. Just know that this meal was probably one of the most memorable and enjoyable dinners of my life and I cannot wait to go back again. See below for each course and dish/pairing descriptions.
lobster paloise; tartlet w peter lauer, saar riesling sket, brut from mosel, germany nv 2011
madai – green chilli, shiso, consomme
bay scallop – pineapple, basil with peter lauer, saar riesling sekt, brut reserve from mosel, germany 1991
sunchoke – blood orange, tarragon with goose island ‘lolita’ from chicago, illinois
uni – chickpea, hozon w shimaoka shuzu yamahai junmai izumi from gunma, japan
mackerel sabazushi – wasabi, dashi ponzu w savart ‘bulles de rose’ ecueil from champagne, france
mackerel dashi – oyster mushrooms, asian pear
soft scramble – potato, osetra, herbs w matthiasson “linda vista” chardonnay from napa, california 2013
bread and butter
kabocha – smoked duck, parmesan w ciderie du vulcain “poire doux” from fribourg, switzerland 2013
halibut – watercress, artichoke, truffle w j.f. ganevat, cremant ‘oh’ blanc de blancs from jura, france 2010 rinsed with j.f. ganevat ‘vin jaune’ from jura, france 2003
foie gras – lychee, pine nut, riesling jelly w karthauserhof, eitelsbacher ‘karthauserofberg’ riesling auslese from ruwer, germany 1998 (magnum)
venison – pomme puree, epoisses w domaine monier perreol saint joseph from chatelet rhone, france 2011
huckleberry – laurel bay, bee pollen
chocolate – mint w dr pepper, rhubarb, scotch and amaro
And of course, because we don’t know how to stop being gluttonous once we’ve started, I introduced Chris to Lelabar, which in retrospect was probably a terrible idea for both our livers and wallets. A bottle of 1985 Chateau Leoville-Barton and 2000 Vietti Barolo to cap off an epic night of eating and drinking!